This evening, Peter Jackson's film "The Return of the King" won the Oscar for best picture, as had been widely predicted. SC has lost track of the number of articles he has read over the past two years arguing that of course each movie is/would be deserving of serious best picture consideration, but that since it would be unprecedented/unfair to give the prize to one of the earlier films and one of the later films, that Return of the King would win a sort of cumulative-achievement prize.
Nothing in the instructions for voting on the best picture award could really be construed to prohibit voters from taking that approach (the Academy is far more concerned with making sure that they can buy the statues back for a buck).
Contrast this with the vigorous debates in baseball on what the appropriate criteria are for voting for the rookie of the year (here's a good article about the controversy over J-League veterans) or most valuable player (which started out this way, and has also been the subject of a lot of controversy). The MVP award in particular has long been debated on account of whether it means "best overall statistics" or "valuable in the context of a team" (SC's favorite baseball writer had a good column last year on how this debate has kept the execrable but deserving Alex Rodriguez from winning; it was written before Mr. Rodriguez, in fact, won).
Despite all the links to the Internet Movie Database, the home-theater obsession, and the occasional comments about the writing style of Variety, SC is not actually all that tuned-in to what has been written by movie critics about the philosophy of the best picture award. Given that comedies just about never win, the rule seems to be something like "movie which is at least vaguely serious and is a good example of the technical craft of moviemaking, so long as it doesn't feature an embarrassingly bad script or wooden acting although we'll make an exception for those last two as long as it brings in $1 billion".
Now, SC's considered opinion on the subject is that if he could only give the best picture award to one of the three films, it would be Fellowship of the Ring. This year's nominees were perhaps weaker than the competitors of the last two years, but: 1) nobody could have known/thought that at the time, and 2) if the phrase "best picture released during the year of 2003" is to be assumed to refer to that movie which is in fact the movie believed by the voters to be the best movie released in 2003, then implicitly making the vote a referendum on past years dilutes the credibility of the award.
Of course, debating over how seriously to take the Oscars or the baseball MVP awards is something of a frivolity. However, SC thinks that there is something to be said for making the premises of "best X" or "X of the year" clear and open to public scrutiny. Some baseball writers won't vote for pitchers as MVP candidates, on the grounds that they're not everyday players, and to their credit, publicly acknowledge that they are imposing their own rules which are not part of the official definition. Others may do the same thing, but not acknowledge it. Over time, partisans of losing candidates then have recourse to the argument that their guy/movie didn't win, not because someone else was more deserving, but because the rules were really being misinterpreted. How many entertainers and critics are thinking tonight, "Well, I don't think they should have won, but this year's award carries an asterisk?" The critics knew better than to give Godfather III a best-picture nod just because it was sequel to two deserving films (at least they got it right once); why shouldn't the Lord of the Rings movies be paid the same compliment of being taken seriously?
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