Criminal syntax and pop culture linguists
Yesterday, Mr. and Mrs. SC went with a couple of friends, including Radagast, to see Scooby Doo 2. Most of the caveats involving the first one apply (you're not going to watch a seamlessly crafted plot unfold), but taken on its own terms, it was enjoyable.
Everyone who attended the movie with SC couldn't help turning their eyes towards him at one early-on moment. When Velma meets a potential love interest (played by Scott Evil), much geekiness necessarily ensues. This alone was not sufficient reason for SC's compatriots -- also geeks -- to make him blush. However, once the discussion on screen turned to a steamy tete-a-tete where the words "syntax", "interrogative" and "pronoun" all showed up, SC could be seen sinking towards the floor -- much like the Tar Ghost, but he shows up later in the movie.
This got your host to thinking, though -- aside from "My Fair Lady", where else can linguists be found in popular culture? Books like the ones Geoff Nunberg discussed recently are not what SC has in mind. Ditto for Chomsky's extensive political oeuvre, or even John McWhorter's. No, where else have people written linguists into popular culture? "Tenser, said the Tensor" (what is a good typographical convention for mentioning that name?) has brought some interesting gems to light, as he does here, but SC can't think of too many examples on his own. He read a not-half-bad story set in the H.P. Lovecraft mythos in this book (with the appropriately horrifying title "Principles and Parameters"), which even featured a computational linguist, but that about taps out his knowledge of fictional linguists.
"The Tensor" is my nom de blog. Compared to writing out "Tenser, said the Tensor", it's terser :). I (and you, and Mark Liberman) have also used TstT as an abbreviation for the name of the blog.
Posted by: The Tensor | April 11, 2004 at 12:52 AM
Dr Ransom, the hero of C.S. Lewis's interplanetary trilogy: unfortunately he claims he deliberately cuts out all the linguistic detail because it wouldn't be of interest to the general reader, leaving us with a few tantalizing plurals (such as séroni of sorn).
Posted by: NW | April 11, 2004 at 12:53 AM
Jasper Fforde's The Eyre Affair and Lost in a Good Book are about a literary detective. Linguistic references are smattered throughout e.g. within BookWorld there are Grammasites (technically known as Gerunds or Ingers) which are parasitic life forms that live inside books and feed on grammar.
Posted by: Virge | April 11, 2004 at 03:15 AM
What about Star Trek: Enterprise and Hoshi Sato - She doesn't do much linguistically in the show other than appear to pick up alien languges incredibly quickly.
It looks like the future for linguists is full of adventure and danger.
Posted by: Blinger | April 11, 2004 at 03:32 AM
I didn't know about Star Trek: Enterprise. Truth be told, I've seen every episode of the original series, maybe 80% of TNG, about a dozen episodes of Deep Space Nine, just the pilot episode of Voyager, and none of Enterprise.
I'm glad you raised that, though. After reading Asimov's Foundation books earlier this year, and rereading the Dune series, I started drafting something about how sci-fi authors seem to be predicting the end of language diversity. I never finished it, but now I'll go back and have another look.
Posted by: Semantic Compositions | April 11, 2004 at 01:18 PM
Milo, the hero in the movie Atlantis, is a linguist. And Milo looks curiously like the creator of the Atlantean language, Marc Okrand, who the lead animator said was the first linguist he'd ever met.
But out of all the times the Enterprise visited scientists at remote outposts, never once were they researching the verb prefix structure of an isolated Andorian tribe. There must be quite a talented team of linguists back at Starfleet Headquarters, working on the Universal Translator.
Posted by: Qov | April 11, 2004 at 01:57 PM
What about the (dreadful, unreadable) Suzette Haden Elgin books: Native Tongue and its sequels. Not only do they have linguists amongst the characters, but place the Whorf hypothesis right in the middle of the plot; and they are also written by a linguist.
Posted by: David Elworthy | April 11, 2004 at 05:23 PM
I just thought of more literary linguists: the people working on the newest Newspeak dictionary in Orwell's 1984 must be linguists. I don't think that's the title they are given, but what other profession would have the task of reducing the language to the smallest possible set of words?
Posted by: Qov | April 11, 2004 at 11:35 PM
I think those people are lexicographers, not linguists. Although it's hard to say; a lexicographer generally catalogs existing words, while the Newspeakers are busy making them up. So maybe they're linguists after all.
Posted by: Semantic Compositions | April 11, 2004 at 11:58 PM
I'm not sure how a person who goes to see Scooby Doo 2 could miss this, but the main character in the movie Stargate is a linguist. In fact, there's a line where Kurt Russell, who plays the tough as nails soldier, tells James Spader, who plays the linguist "you go, you're the linguist" or something like that.
There's also a short story about O. Henry entitled Calloway's Code that has a newspaper getting a scoop because of fixed collocations. It can be found in _Teaching Collocation_ by Michael Lewis.
Posted by: joe tomei | April 12, 2004 at 02:19 AM
James Spader played a linguist in the movie Stargate, I think, and there was a wild mystery novel called Box Nine, by Jack O'Connell, that featured not only a dashing linguist but a language-related drug called Lingo.
Posted by: A reader | April 12, 2004 at 06:49 AM
The characters are not linguists, but there is a good bit of information of linguistic interest in Tolkien's "Lord of the Rings", and "Silmarillion".
Posted by: Henry IX | April 12, 2004 at 07:06 AM
A couple of linguists I came up with in an entry over on my blog: Walter Pidgeon as Dr Morpheus (described as the ship's philologist) in Forbidden Planet (1956) and Winnie as herself in Sherman's March (1986). See the comments for more movies.
Posted by: jim | April 12, 2004 at 07:37 AM
Ursula K. LeGuin, "The Pathways of Desire." One major character is a linguist, story turns on a point of linguistics (don't want to be any less vague than that for fear of spoiling it).
The Silmarillion actually contains a gem of an example of imposed language change... that Feanor, he had some odd ideas...
Posted by: Dorothea Salo | April 14, 2004 at 07:18 AM